CHAMBER
a map to nowhere (2026)
for clarinet quintet [c. 14m]
Commissioned by Omega Ensemble as part of the 2026 CoLAB: Composer Accelerator Program
when two waters meet (2026) for flute, alto flute, singing glasses
for flutist Emica Taylor [c. 9m]
Commissioned by the Australian National Academy of Music for the 2026 ANAM Set
bubble (2025)
for large ensemble [c. 6m]
Commissioned by Julius and Elizabeth Schlichting for the 2025 Bang on a Can Summer Music Festival
Retreat (2025) from Earthworks
for cello and piano [c. 9.5m] (vln and piano arr. available)
Supported by Creative New Zealand
outside in (2025)
for string quartet [c. 11m]
for the Flinders Quartet Emerge Program in collaboration with the Hush Foundation
convergency (2021)
for piano trio [c. 5m]
Premiered May 2022 by NZTrio at the University of Auckland School of Music, Auckland, NZ
ORCHESTRAL
loop topology (2026)
for orchestra [c. 8m]
for the 26-27 Tasmanian Symphony Orchestra Australian Composers School
letter no.1 (2026)
for orchestra [c. 4m]
for the 26-27 Tasmanian Symphony Orchestra Australian Composers School
Night Dances (2025)
for chamber orchestra [c. 8m]
for the 2025 Australian Youth Orchestra Summer Music Festival
Speculations on a Rainbow (2024)
for orchestra [c. 8m]
Commissioned by New Zealand Symphony Orchestra for the NZSO National Youth Orchestra
marble, bark, silver (2021)
for orchestra [c. 12m]
Recorded by the NZSO at the 2022 NZ Composer Sessions, Michael Fowler Center, Wellington, NZ
COLLABORATIVE
Earthworks (2026)
with sonic artist Garling Wu
for piano, cello, voices, and stereo speakers [c. 30m]
moments from Three Days in February (2025)
with filmmaker Serena Stevenson
for string quartet [c. 3.5m]
CHORAL
lady of the river (2020, rev. 2025)
for mixed voices, piano, cello, violin (c. 5m)
Let My Country Awake (2021)
for mixed voices [c. 3.5m]
Call of the Ocean (2020)
for upper voices and percussion [c. 5.5m]
Supported by the SOUNZ Community Commission
nunc dimittis (2020)
for mixed voices [c. 6m]